Vientiane, Laos

Vientiane, Laos


  • June 26 - July 6, 2013


    • U.S. Embassy Vientiane - Laos
    • Laura & Brooks Entwistle

    Project Activities

    • 3 Dancing to Connect workshops
    • 1 Final Performance


    • Anouza Phothisane and Laobangfai
    • Olé Khamchanla
    • COPE Center


  • Lao National Cultural Hall (performance)

  • In late June of 2013, Battery Dance Company had the opportunity to visit Vientiane, Laos. With sponsorship from the U.S. State Department and partnerships with Lao Bangfai and COPE Center, the company was ready to lead Dancing to Connect workshops with local dancers. As a second tour to Laos, it provided a special opportunity for the company to run a longer program with more outreach than the initial tour in 2008. The tour faced a series of stumbling blocks from the very beginning but despite the struggles and snags, the program was a huge success. In addition, the company felt welcome and at home with the incredible staff from the Embassy.

    One of the workshop groups was with the English language students from the Embassy sponsored class. They were a group of very special children who demonstrated dedication and high intellectual capability. The Embassy sport room also served as the venue for the group. Led by Robin Cantrell and Mira Cook, the twenty participants had a wonderful time exploring movement, performance and the English language used in an entirely different capacity. Additional support from Embassy interns was readily on hand offering translation, encouragement and enthusiasm.

    The other two groups experienced some organizational difficulties and eventually became one group. Cope Center is a wonderful space providing rehabilitative services for victims of UXOs. (Unexploded Ordinances) In addition, the center has a museum that provides visitors with information building awareness of the problem of unexploded bombs. The Lao Bangfai group was to work with Clement Mensah alone, however, combined with the group from Cope Center initially led by Carmen Nicole Smith, the two groups became one. The combined group at Sengdara was about twenty-eight participants and in the end turned out well.

    The final performance day at the National Cultural Hall went off without a hitch minus the lack of air conditioning. Thankfully it came on just as the audience was settling down. The house was about two-thirds full, a great turnout for such a large venue. The company had made some local friends who also attended the performance providing further evidence of community outreach. The company performed a variety of repertoire pieces along with the two Dancing to Connect groups and Peter Kim’s piece. The attendance of the U.S. Ambassador at the performance was an honor. The spirit of the audience was lively and embracing, similar to the company performance in 2008.

    As a lovely closing to the week’s efforts, the Embassy sponsored a dinner for all the participants at a very popular pizza restaurant. Little did the company realize the dinner would also be a lesson in Laotian popular culture. Unlike typical American or European style pizza with unsweetened tomato sauce and a select variety of meats, cheeses and vegetables, the Laotian version had a vast array of meats from cocktail franks to shrimp. To go along with the already very sweet tomato sauce, diners use liberal amounts of ketchup and sweet chili sauce on their pizza. It was a discovery that our company members enjoyed experiencing.

    Prior to departing, the company had a chance to see some of the wonderful sights in Vientiane. The temples and Buddha’s left an indelible impression. Again, the chance to return was a special opportunity to witness the rapid growth of the city. Restaurants and businesses, a vision in 2008, now line the streets with new development all around. Local people were open and eager to talk to company members and surprisingly, many locals the company met had at one point or another visited the US or had relatives there. The shift in Vientiane is also made clear by the number of expatriates or the vast number of European backpackers visible in the town. It was encouraging to see local men and women alike embracing the entrepreneurial spirit setting up shops, juice cafés and restaurants. Often a culture can get lost with such swift economic growth, but thankfully, the majority of stores still sell the local artisan crafts, silk work and cuisine. The company hopes for the opportunity to return in three or four years to witness further changes and reconnect with participants. Perhaps they will have dance companies, be teaching English, or running businesses of their own.

    Summer Tour 2013

    Breisach, Germany
    Vientiane, Laos
    Valetta, Malta
    Bangkok, Thailand

    Vientiane, Laos

    Vientiane, Laos

    April - May 2008.


  • April 19 – 23, 2008


    • U.S. Department of State, Office of Public Diplomacy, East Asia Pacific Region
    • Embassy of the United States Vientiane, Laos
    • United States Department of State Bureau of Educational and Cultural Affairs

    Project Activities * 1 Performance at the National Cultural Hall, Vientiane * 2 Masters Classes, hip-hop and modern dance


  • Lao National Cultural Hall

  • Pleasant Surprise

    BDC was warned not to be disappointed if only 300 or so audience members showed up at its performance at the 1100-seat National Cultural Hall in Vientiane. It was said that this was the average turn-out at “foreign embassy-sponsored events”. When asked why, we were told that Laotians believe that these shows are not for them, and that they wouldn’t understand them. Therefore, it was a wonderful surprise to see the hall fill up and to enjoy the rapturous response to Battery Dance Company’s modern dance repertoire. The Interior Minister and his wife hugged the dancers on stage at the end of the performance, particularly thrilled that young Lao hip- hop dancers who had taken part in BDC’s workshops, had been persuaded to perform as a surprise encore in BDC’s show.

    Learn to Improvise

    In a country that has had so little exposure to American culture and which is subject to intense government restrictions such as Laos, it is hard to know in advance how to design a program with maximum impact. We were unprepared for the fact that there were no spaces for the workshops with proper flooring and had to make do with cement. I'm not sure what to say about this. We are categorically opposed to putting our dancers and participants at risk, which is definitely the case on cement; however, if we'd said "no", then the resonance of our program would have been dampered, not only through the loss of workshops that reached many young people; but their subsequent appearance on stage at our performance which served to endear us to the local officials and the audience alike.

    Starting our 4-day program in Laos, we acclimated to the 3 H's - hazy, hot and humid. We're New Yorkers after all, so this is familiar to us though slightly out of season. A great Lao meal on the first night following a day of recreation, shopping and theater reconnoitering (Barry and me) on our first day off since April 11 helped to restore us. Even more so, the delightful manners of the Lao people reinforced our feeling of being welcome in this beautiful country.

    This morning, we were introduced to 30+ young dancers and singers, members of several dance groups here, who jumped into Carmen's modern dance master class and will join Sean in hip-hopping this afternoon. A huge air-conditioned hall was arranged for the classes, complete with great sound system, mirrors but, unfortunately, a cement floor. Carmen modified her class (no jumps!) and off they went with abandon and excitement to learn some new techniques. Apparently, we are the first professional American dancers they've met, and their enthusiasm showed! Last night's performance was a stand-out for the Company.

    We filled the orchestra of the National Cultural Hall -- 920 people strong -- with a large proportion of young people who rewarded us with a tremendously resonant response. Laos is a relatively isolated country, the least Westernized in Asia that we've seen. And yet the audience clearly followed all of the action on stage and gave back so tangibly with laughs, gasps and applause. The dancers responded in kind and raised their performance to the very top notch. We were deeply touched by Ambassador Ravic Huso's effusive praise at the end. We'd met him earlier in the week, and he'd promised an honest assessment; and given his no- nonsense delivery, we understood him to mean it! Laos' Vice Minister of Information and Culture Mr. Bouangeun and his wife were also charming on the stage -- with a little English and a lot of hand gestures, they made it clear that they loved the performance and hope we'll return soon. We're sad that our short stay here is over and hope this isn't the end of our contact with Laos! Working with Amy Archibald, the APAO here, and her delightful and talented staffer Sengsouriya has been a treat. A special thanks also to our driver Sengthavy whose smile and guidance were welcome throughout!